Bruno Rainaldi

Bruno Rainaldi has formed on the field, starting from very young to work in the furniture design communication.
Ironically he called himself a "sidewalk designer" and his style "chaotically rigorous".
He directs in Milan the first High-Tech Porta Ticinese. Alongside Maddalena De Padova in the historical corso Venezia then Enrico Baleri, as a member of the Baleri & Associates, in the definition of communication strategies for businesses and designer outlets.
Fonda Rare Studio - which is the soul and the creative director - and begins the first collaborations as artistic / designer director with several companies of the Italian design as Alivar, MDF, Mussi Italy, Synthesis. Then Terzani, Slamp, Casprini, Annibale Colombo, Bilumen, David Medrano and Dilmos. Until recent project Opinion Ciatti, born from the important artistic and entrepreneurial partnership with Lapo Ciatti.
In the mid-eighties he meets Flavia Ciatti Bruno Rainaldi. From their friendship / comparison to life the idea of ​​a new company - JRC - oriented to developing and accessories for the house, not only for the kitchen. JRC A brand born important pieces of its production of industrial design. In 2006 Lapo Ciatti, who represents the third generation, joins the company with the entrepreneurial instinct of family and training in Industrial Design. New confrontations and new opinions. Born Opinion Ciatti Bruno Rainaldi of which he is president, partner and artistic director.
With a deep knowledge of the market, a great passion for the arts and a precious talent for cross associations accrued over the years, Bruno Rainaldi alloy definitely his professionalism to the world of design. She inaugurated in 2002 with Marta Giardini Entratalibera, a very special space in Milan, where he exhibited his designs and a selection of objects. A "laboratory of forms" open for research and experimentation.
Bruno Rainaldi has designed libraries, tables, chairs, sofas, armchairs, beds, accessories and lighting.
A universe of intense and iconic objects that do not reflect a stylistic coherence, rather the true sense of the industrial design: the right to produce just uses objects.
If anything unites them is the essential design, the freedom of use, the compositional versatility.
He died prematurely in 2011, leaving a huge gap between his loved ones and the world of design

His great success, PTolomeo library is rewarded Golden Compass 2004